Organized by Jorge Otero-Pailos and the Historic Preservation Program.
Fitch Colloquium: Preservation and War
What are the moral limits to war? The destruction of heritage has, at least since the Enlightenment, been considered a threshold beyond which military action becomes unjust, even criminal. Centuries before modern preservation laws, it was military jurists like Emmerich de Vattel who helped establish the notion that governments at war had a legal duty to protect heritage—including that of their conquered enemies. The regulation of modern warfare in many ways preceded and shaped that of modern preservation.
Military codes of conduct, such as the pioneering 1863 US Lieber Code, became the basis and inspiration for national and international preservation laws. The experience of World War II, and the now famous work of the Monuments Men, was a powerful catalyst for the creation of preservation institutions during peacetime, from the National Trust of Historic Preservation to UNESCO. Their aim was not so much to abolish war, but rather to fight more just wars in the future, to correct the moral transgressions of the past.
Preservation, in other words, is not conceptually outside of war, but very much embedded in it, where it can more effectively monitor, report on, influence and limit bellicose action. Military thinking is second hand to preservation: we organize as one would an army, around notions of readiness for battle, defensibility of assets, planned campaigns, managing trauma, and reconstruction.
To what degree, we may ask, is preservation thinkable outside of militarization, and its prewar—war—postwar continuum? What is the range of acceptable preservation actions and non-actions in the face of today’s wars, when spectacles are made of the dynamiting of monuments, and the killing of preservationists? The 2016 Fitch Colloquium brings together some of the world’s leading experts in the spirit of dialogue and common pursuit of answers to these urgent questions.
The programme is below:
Panel 1 is available on YouTube here.
Panel 2 is available on YouTube here.
Panel 3 is available on YouTube here.
Welcome and Introduction
Amale Andraos, Dean, Columbia GSAPP
Jorge Otero-Pailos, Professor and Director of Historic Preservation, Columbia GSAPP
Panel 1: Pre War
Tim Winter, Research Chair of Cultural Heritage, Deakin University
Laurie Rush, Cultural Resources Manager and Archaeologist, US Department of Defense
Leila A. Amineddoleh, Founding and Managing Partner at Amineddoleh & Associates
Lucia Allais, Assistant Professor of Architecture, Princeton University
David Gissen, Professor of Architecture, California College of the Arts
Moderated by Erica Avrami, James Marston Fitch Assistant Professor of Historic Preservation, Columbia GSAPP
Panel 2: At War
Julián Esteban-Chapapría, Associate Professor, Universitat Politècnica de València
Zaki Aslan, Director of ICCROM-ATHAR Regional Conservation Centre, UAE
Laura Kurgan, Associate Professor of Architecture, Columbia GSAPP
Zainab Bahrani, Edith Porada Professor of Art History and Archaeology, Columbia University
Moderated by William Raynolds, Adjunct Assistant Professor of Historic Preservation, Columbia GSAPP
Panel 3: Post War
Nikolaus Hirsch, Städelschule, Frankfurt
Mark Jarzombek, Professor of History and Theory of Architecture, MIT
Rodney Harrison, Professor of Heritage Studies, University College London
Azra Akšamija, Associate Professor, MIT
Clive Van Den Berg, Artist and Managing Partner, Trace
Moderated by Rosalind C. Morris, Professor of Anthropology, Columbia University